UNC Wilson MS 547 ~ "Blind Zeal or Party Enthusiasm": A Freethought Response to Henry Sacheverell and the Stresses of 1710.

This article locates the hitherto unknown manuscript poem "Blind Zeal or Party Enthusiasm" within the political context of 1710 and, in turn, examines Henry Sacheverell's impact on Deism and Freethought in light of "Blind Zeal." A complete text of the poem, with certain historical and critical annot...

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Publicado en:Studies in Philology Vol. 111; no. 2; pp. 375 - 403
Autor principal: Scheinman, Ted
Formato: Artículo
Publicado: University of North Carolina Press Spring2014
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: UNC Wilson MS 547 ~ "Blind Zeal or Party Enthusiasm": A Freethought Response to Henry Sacheverell and the Stresses of 1710.
      aug:
        au: Scheinman, Ted
        affil: University of North Carolina, Chapel Hill
      su:
        Bible -- Indexes
        Enthusiasm
        Doctrinal theology
        Manners & customs
        Christianity
      sug:
        subj:
          Bible -- Indexes
          Enthusiasm
          Doctrinal theology
          Manners & customs
          Christianity
      ab: This article locates the hitherto unknown manuscript poem "Blind Zeal or Party Enthusiasm" within the political context of 1710 and, in turn, examines Henry Sacheverell's impact on Deism and Freethought in light of "Blind Zeal." A complete text of the poem, with certain historical and critical annotations, is offered below. Finally, I offer an interpretation of the poem that may narrow our possibilities for attribution--focusing, most crucially, on the author's construction of the poem's speaker: an earnest and sententious individual compelled, by the violence of the religious schisms of 1709, to a fraught meditation on brotherhood. For years, John Toland and other Freethinkers had chronicled the rise of faction, and the Sacheverell Affair seemed to bring their worst nightmares to life. The poet of "Blind Zeal" draws on these very real anxieties--using a locus communis from Virgil's Eclogues as a classical touchstone--but offers a glimmer of optimism in his valedictory invocation of Aesop, an author imitated by both the Earl of Shaftesbury and Toland.
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