Industry Conceptions of Audience in the Digital Space.
Developments in the production of news, entertainment and advertising on the Web, mobile and other digital media have led academics as well as industry practitioners to advance new conceptions of audience power within the media context. We will critique these conceptions and suggest a research agend...
| Publicado en: | Cultural Studies Vol. 28; no. 4; pp. 643 - 657 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Jul2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=95625689&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 95625689 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09502386 05G jtl: Cultural Studies issn: 09502386 maglogo: N pubinfo: dt: Jul2014 vid: 28 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 95625689 10.1080/09502386.2014.888929 ppf: 643 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 102KB tig: atl: Industry Conceptions of Audience in the Digital Space. aug: au: Turow, Joseph Draper, Nora su: Audiences Digital media Mass media Mass media & culture Mass media & society Finance sug: subj: Audiences Digital media Mass media Mass media & culture Mass media & society Finance keyword: audience audience studies digital media media distribution media financing production of culture ab: Developments in the production of news, entertainment and advertising on the Web, mobile and other digital media have led academics as well as industry practitioners to advance new conceptions of audience power within the media context. We will critique these conceptions and suggest a research agenda that expects different, though converging constructions of audience among production, distribution, exhibition and financing areas of a digital media industry. We will argue that the most consequential audience construction takes place at the financing and distribution nodes, and we will suggest social implications as well as implications for academic thinking about audiences. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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