Artists as Entrepreneurs, Fans as Workers.
This paper uses the increasing integration of social media into music making and marketing to reflect on the work artists and their fans perform. While new technologies are celebrated for making cultural production more accessible, there is also more pressure on artists, as cultural entrepreneurs, t...
| Publicado en: | Popular Music & Society Vol. 37; no. 3; pp. 273 - 291 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jul2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=95678692&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 95678692 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: Jul2014 vid: 37 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 95678692 10.1080/03007766.2013.778534 ppf: 273 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 134KB tig: atl: Artists as Entrepreneurs, Fans as Workers. aug: au: Morris, Jeremy Wade su: Musicians Entrepreneurship Artists Music industry Social media research Fans (Persons) Heap, Imogen, 1977- sug: subj: Musicians Entrepreneurship Artists Music industry Social media research Fans (Persons) Heap, Imogen, 1977- ab: This paper uses the increasing integration of social media into music making and marketing to reflect on the work artists and their fans perform. While new technologies are celebrated for making cultural production more accessible, there is also more pressure on artists, as cultural entrepreneurs, to produce and distribute their own work. At the same time, fans are facing greater invocations to participate through overt calls to become co-creators or through more passive participation like behavior tracking. Fans cannot really consume without working. Using an analysis of British musician Imogen Heap—including press articles and data scrapes from Heap's social media accounts—this paper focuses on the changing occupational and creative roles for artists and fans and the attendant implications for the circulation of cultural goods. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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