The Performance of Agostino Di Scipio's Modes of Interference n.2 : A Collaborative Balance.
This paper offers a survey of my musical collaboration (2010–2013) with Italian composer Agostino Di Scipio onModes of Interference n.2(2006), for audio feedback system with saxophone and live-electronics, and builds on my PhD research on participative musical performance on mixed music for saxophon...
| Publicado en: | Contemporary Music Review Vol. 33; no. 1; pp. 46 - 59 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Feb2014
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=95888853&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 95888853 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Feb2014 vid: 33 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 95888853 10.1080/07494467.2014.906697 ppf: 46 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 305KB tig: atl: The Performance of Agostino Di Scipio's Modes of Interference n.2 : A Collaborative Balance. aug: au: Bittencourt, Pedro S. su: Di Scipio, Agostino, 1962- Musical performance Saxophone Composers Electronic music sug: subj: Di Scipio, Agostino, 1962- Musical performance Saxophone Composers Electronic music keyword: Audio Feedback System Di Scipio Live-Electronics Participative Musical Performance ab: This paper offers a survey of my musical collaboration (2010–2013) with Italian composer Agostino Di Scipio onModes of Interference n.2(2006), for audio feedback system with saxophone and live-electronics, and builds on my PhD research on participative musical performance on mixed music for saxophones. Di Scipio composes a network of interactions: he does not compose the sounding structure itself of the piece, but rather a set of possibilities for a performer to experiment in sound. All the elements of the piece (such as the live-electronics equipment, the saxophone, and the environment) are mutually connected and influence each other. They constitute a dynamical system, as implemented by the composer. The saxophone is not expected only to produce a variety of noise materials, but also to act both as a control device and as a filter inside an audio feedback loop. This systemic approach requires from the player a new attitude towards the instrument, as well as new manners of listening to and reacting to the sound events emerging in the performance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
|---|