Cyborgs and generic oxymorons: The body and technology in William Gibson's cyberspace trilogy.
Examines the relationship between body and machine in William Gibson's science-fiction novels `Neuromancer,' `Count Zero,' and `Mona Lisa Overdrive.' Merging of the discourses deriving from the organic and technological worlds in Gibson's texts; Tension between essentialism and culturalism; Depicti...
| Publicado en: | Science Fiction Studies Vol. 23; no. 2; pp. 227 - 245 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of California Press
Jul96
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=9611050085&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 9611050085 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00917729 SFS jtl: Science Fiction Studies issn: 00917729 maglogo: N pubinfo: dt: Jul96 vid: 23 iid: 2 pid: 414 pub: University of California Press artinfo: ui: 9611050085 10.1525/sfs.23.2.0227 ppf: 227 ppct: 18 formats: fmt: @attributes: type: P size: 23.8MB tig: atl: Cyborgs and generic oxymorons: The body and technology in William Gibson's cyberspace trilogy. aug: au: Siivonen, Timo su: Gibson, William, 1948- Neuromancer (Book) Count Zero (Book) Mona Lisa Overdrive (Book) Criticism Books sug: subj: Gibson, William, 1948- Neuromancer (Book) Count Zero (Book) Mona Lisa Overdrive (Book) Criticism Books ab: Examines the relationship between body and machine in William Gibson's science-fiction novels `Neuromancer,' `Count Zero,' and `Mona Lisa Overdrive.' Merging of the discourses deriving from the organic and technological worlds in Gibson's texts; Tension between essentialism and culturalism; Depiction of cyberspace through the dark rhetoric of Gothic horror. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Science Fiction Studies is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Science Fiction Studies holder: University of California Press dt: @attributes: year: 1996 holdings: @attributes: islocal: N |
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