THE DIGITAL SECRET OF THE MOVING IMAGE.
This article addresses the definition of cinema by focusing on the related ontological question of which basic category circumscribes cinematic works. According to Noël Carroll, the definition of cinema consists both of ontological conditions that treat the moving image as a type and of other condit...
| Published in: | Estetika: The Central European Journal of Aesthetics Vol. 51; no. 1; pp. 21 - 42 |
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| Format: | Article |
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Academy of Sciences of the Czech Republic
2014
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=96333350&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 96333350 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00141291 8ZOB jtl: Estetika: The Central European Journal of Aesthetics issn: 00141291 maglogo: N pubinfo: dt: 2014 vid: 51 iid: 1 pid: 32799 pub: Academy of Sciences of the Czech Republic artinfo: ui: 96333350 10.33134/eeja.114 ppf: 21 ppct: 21 formats: fmt: @attributes: type: P size: 675KB tig: atl: THE DIGITAL SECRET OF THE MOVING IMAGE. aug: au: TERRONE, ENRICO affil: Department of Philosophy, University of Torino, Via Sant'Ottavio 20, 10124, Torino, Italy su: Digital cinematography Digital images Carroll, Noël, 1947- Motion pictures Video tapes Holography sug: subj: Digital cinematography Digital images Carroll, Noël, 1947- Motion pictures Video tapes Holography ab: This article addresses the definition of cinema by focusing on the related ontological question of which basic category circumscribes cinematic works. According to Noël Carroll, the definition of cinema consists both of ontological conditions that treat the moving image as a type and of other conditions that treat it as a display. But following Carroll's ontological conditions, the digital encoding of a moving image enigmatically ends up being both a type and a token. Solving such a puzzle by clarifying the relation between the cinematic type and the digital type leads us to define the moving image in general as a type that specifies a spatiotemporal distribution of pixels. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Estetika: The Central European Journal of Aesthetics is the property of Institute of Art History of the Academy of Sciences of the Czech Republic and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Estetika: The Central European Journal of Aesthetics holder: Institute of Art History of the Academy of Sciences of the Czech Republic dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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