The Powerful, the Poor, and the Politics of Representation in Luis Estrada's Un mundo maravilloso (2006).

This article examines the transformation of the film Un mundo maravilloso's poor protagonist from a bumbling picaro to a rebel capable of inverting center and periphery. I explain the director's use of metafictionality, selfreferentiality, and intertextuality that compels spectators to become active...

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Publicado en:	Studies in Latin American Popular Culture Vol. 32; pp. 31 - 51
Autor principal:	Robinson, Amy
Formato:	Film/TV Criticism and Review
Publicado:	University of Texas Press 2014
Materias:	Un mundo maravilloso (Film) Estrada, Luis Poverty in motion pictures Social classes in motion pictures Poor people Elite (Social sciences) Political leadership Mexican films Mexico
Acceso en línea:	Ver este registro en EBSCOhost