Rorschach, We Have a Problem! The Linguistics of First Contact in Watts's Blindsight and Lem's His Master's Voice.

In Peter Watts's Blindsight, a super-intelligent but non-conscious artifact calling itself Rorschach imitates human speech and thus fakes linguistic communication with people. I question the validity of this idea and use Stanis»aw Lem's His Master's Voice as a counter-example. Problems with "Rorscha...

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Publicado en:Science Fiction Studies Vol. 41; no. 2; pp. 364 - 392
Autor principal: Głaz, Adam
Formato: Literary Criticism
Publicado: University of California Press Jul2014
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Acceso en línea:Ver este registro en EBSCOhost
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        Blindsight (Book)
        His Master's Voice (Book)
        Watts, Peter
        Lem, Stanislaw, 1921-2006
        Literary criticism
        Science fiction
        Markedness (Linguistics)
        Imitative behavior
        Speech in literature
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          Blindsight (Book)
          His Master's Voice (Book)
          Watts, Peter
          Lem, Stanislaw, 1921-2006
          Literary criticism
          Science fiction
          Markedness (Linguistics)
          Imitative behavior
          Speech in literature
      ab: In Peter Watts's Blindsight, a super-intelligent but non-conscious artifact calling itself Rorschach imitates human speech and thus fakes linguistic communication with people. I question the validity of this idea and use Stanis»aw Lem's His Master's Voice as a counter-example. Problems with "Rorschach-as-fake-speaker" are discussed in the light of findings in linguistics, with the overarching argument that Rorschach would need to obtain access to the semantic and symbolic sphere of language for this to be possible. I maintain that a being without consciousness cannot do this.
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      doctype: Literary Criticism
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    language: English
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