Semiotic technology and practice: a multimodal social semiotic approach to PowerPoint.

The ubiquitous software PowerPoint has significant influence on evaluations of professional and academic success, and has attracted considerable attention from both social commentators and researchers in various fields. Existing research on PowerPoint considers the software, slideshows created with...

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Publicado en:Text & Talk Vol. 34; no. 3; pp. 349 - 376
Autores principales: Zhao, Sumin, Djonov, Emilia, van Leeuwen, Theo
Formato: Artículo
Publicado: De Gruyter 2014
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Semiotic technology and practice: a multimodal social semiotic approach to PowerPoint.
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          Zhao, Sumin
          Djonov, Emilia
          van Leeuwen, Theo
        affil:
          Faculty of Arts and Social Sciences, University of Technology, Sydney, Australia
          Faculty of Human Sciences, Macquarie University, Sydney, Australia
          Faculty of Arts and Social Sciences, University of Technology, Sydney, Australia & Institute of Language and Communication, University of Southern Denmark, Odense, Denmark
      su:
        Social semiotics
        Microsoft PowerPoint (Computer software)
        Computer software
        Ubiquitous computing
        Multimodal user interfaces
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        subj:
          Social semiotics
          Microsoft PowerPoint (Computer software)
          Computer software
          Ubiquitous computing
          Multimodal user interfaces
      keyword:
        PowerPoint
        semiotic practice
        semiotic technology
        slideshow presentations
        slideshows
        software
      ab: The ubiquitous software PowerPoint has significant influence on evaluations of professional and academic success, and has attracted considerable attention from both social commentators and researchers in various fields. Existing research on PowerPoint considers the software, slideshows created with it, and PowerPoint-supported presentations in isolation from each other and is therefore unable to promote better understanding of the interaction between the software's design and its use. This article proposes a model for exploring this interaction. Specifically, it introduces a multimodal social semiotic approach to studying PowerPoint as a semiotic practice comprising three dimensions - the software's design, the multimodal composition of slideshows, and their presentation - and two semiotic artefacts, the software and the slideshow. It discusses the challenges each dimension presents for discourse analysis and social semiotic research, focusing especially on the need to step away from the notion of text and to develop a holistic, non-logocentric, and adaptive multimodal approach to researching semiotic technologies. Using PowerPoint as a case study, this article takes a step toward developing a social semiotic multimodal theory of the relation between semiotic technologies, or technologies for making meaning, and semiotic practices.
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    language: English
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