Before the Colditz Myth: Telling POW Stories in Postwar British Cinema.

Before the concretization of the 'Colditz Myth' in the mid-1950s, British cinema's engagement with the prisoner of war (POW) narrative took unexpected generic forms. The Captive Heart (1946) and The Wooden Horse (1950) draw on the narrative conventions and structures of feeling mobilized by document...

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Publicado en:	Journal of War & Culture Studies Vol. 7; no. 3; pp. 269 - 283
Autor principal:	Plain, Gill
Formato:	Artículo
Publicado:	Taylor & Francis Ltd Aug2014
Materias:	Prisoners of war in mass media Prisoners of war Captive Heart, The (Film) Wooden Horse, The (Film) Social anxiety
Acceso en línea:	Ver este registro en EBSCOhost