TIMOTHEUS' POETICS OF BLENDING: A COGNITIVE APPROACH TO THE LANGUAGE OF THE NEW MUSIC.

The article explores the topic of blending and conceptual integration theory in the New Music poetry of ancient Greek poet Timotheus. Emphasis is given to an analysis of the papyrus text "Persians" and the blending of images of naval combat. Other topics include context within passages, intertextual...

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Publicado en:Classical Philology Vol. 109; no. 3; pp. 191 - 211
Autores principales: Budelmann, Felix, LeVen, Pauline
Formato: Artículo
Publicado: University of Chicago Press Jul2014
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: TIMOTHEUS' POETICS OF BLENDING: A COGNITIVE APPROACH TO THE LANGUAGE OF THE NEW MUSIC.
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          Budelmann, Felix
          LeVen, Pauline
        affil:
          University of Oxford
          Yale University
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        Timotheus, of Miletus, ca. 446-357 B.C.
        Hellenistic Greek literature -- History & criticism
        Hellenistic Greek literature
        Poetics
        Human body in literature
        Intertextuality
        Themes in literature
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          Timotheus, of Miletus, ca. 446-357 B.C.
          Hellenistic Greek literature -- History & criticism
          Hellenistic Greek literature
          Poetics
          Human body in literature
          Intertextuality
          Themes in literature
      ab: The article explores the topic of blending and conceptual integration theory in the New Music poetry of ancient Greek poet Timotheus. Emphasis is given to an analysis of the papyrus text "Persians" and the blending of images of naval combat. Other topics include context within passages, intertextuality, and literary depictions of the human body.
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