KID ALGEBRA: RADIOHEAD'S EUCLIDEAN AND MAXIMALLY EVEN RHYTHMS.
In this article, the author focuses on the implementation of a Goldilocks principle called Euclidean rhythms that establish a space between banal convention and sheer experimentation, by the British rock group Radiohead in their compositional idiolect. The author with the help of a mathematical mode...
| Publicado en: | Perspectives of New Music Vol. 52; no. 1; pp. 81 - 106 |
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| Formato: | Artículo |
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Perspectives of New Music, Inc.
Winter2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | In this article, the author focuses on the implementation of a Goldilocks principle called Euclidean rhythms that establish a space between banal convention and sheer experimentation, by the British rock group Radiohead in their compositional idiolect. The author with the help of a mathematical model analyses several post-millennial music of Radiohead including "Codex," "Morning Bell" and "15 Step." He states that Radioheads' music brings up unique forms, pitch and rhythm for its listeners. |
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