La tonadilla a la Barcelona del darrer terç del Set-cents més enllà de la Casa de Comèdies.
In eighteenth-century Barcelona the official monopoly of theatre was in the hands of the Hospital of the Holy Cross. But it is well know that the theatrical passion of the people of Barcelona went beyond the official theatre managed by this institution. The present article seeks to show the interest...
| Publicado en: | Scripta no. 3; pp. 122 - 143 |
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| Autor principal: | |
| Formato: | Artículo |
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Scripta
jun2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=97289419&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 97289419 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23404841 GD46 jtl: Scripta issn: 23404841 maglogo: N pubinfo: dt: jun2014 iid: 3 pid: 89094 pub: Scripta artinfo: ui: 97289419 10.7203/SCRIPTA.3.3427 ppf: 122 ppct: 21 formats: fmt: @attributes: type: P size: 517KB tig: atl: La tonadilla a la Barcelona del darrer terç del Set-cents més enllà de la Casa de Comèdies. aug: au: PESSARRODONA, AURÈLIA affil: Università di Bologna, Centro Studi sul Settecento Spagnolo sug: keyword: eighteenth-century music theatre Barcelona eighteenth-century música music segle XVIII teatre theatre tonadilla ab: In eighteenth-century Barcelona the official monopoly of theatre was in the hands of the Hospital of the Holy Cross. But it is well know that the theatrical passion of the people of Barcelona went beyond the official theatre managed by this institution. The present article seeks to show the interest of the spectators of Barcelona in the tonadilla, a brief musical and theatral genre imported from Madrid. This interest went beyond the official theatre, with a significant trade of libretti and the possibility of a private practice. Therefore, we realize how this imported genre could become ingrained in the audience of Barcelona, touched deeply by lyric spectacles. Encara que el monopoli oficial dels espectacles teatrals a la Barcelona del Set-cents era en mans de l'Hospital de la Santa Creu, és sabut que l'afició dels barcelonins pel teatre anava més enllà de la Casa de Comèdies gestionada per aquesta entitat. En el present article es mostren diversos casos que manifesten l'interès del públic barceloní per la tonadilla, gènere lírico-escènic breu importat a la Ciutat Comtal per imitació dels teatres madrilenys. Aquest interès ultrapassava l'escenari de la Casa de Comèdies, amb un curiós comerç dels textos i la possibilitat d'una pràctica privada. D'aquesta manera s'observa com aquest gènere importat pogué arrelar entre el públic barceloní, especialmente afeccionat als espectacles lírics. pubtype: Academic Journal doctype: Article src: R language: Catalan refInfo: copyright: @attributes: flag: Y custom: Copyright of Scripta is the property of Scripta and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scripta holder: Scripta dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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