Business Casual: Flexibility in Contemporary Performance Art.
For some time now, artists, critics, and historians have noted the increasing overlap between art making and other forms of labor within neoliberal capitalism. Many of these observations stem from the correspondences between the seemingly ever more flexible concept of art and the flexibility of post...
| Publicado en: | Art Journal Vol. 72; no. 3; pp. 48 - 64 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Fall2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=97458464&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 97458464 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00043249 ARJ jtl: Art Journal issn: 00043249 maglogo: N pubinfo: dt: Fall2013 vid: 72 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 97458464 10.1080/00043249.2013.10792853 ppf: 48 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 15.1MB tig: atl: Business Casual: Flexibility in Contemporary Performance Art. aug: au: Siegelbaum, Sami affil: Visiting assistant professor in modern and contemporary art history, DePaul University su: Performance art Art & business Neoliberalism Professionalization Art & Economics Freelancers sug: subj: Performance art Art & business Neoliberalism Professionalization Art & Economics Freelancers ab: For some time now, artists, critics, and historians have noted the increasing overlap between art making and other forms of labor within neoliberal capitalism. Many of these observations stem from the correspondences between the seemingly ever more flexible concept of art and the flexibility of post-Fordist modes of accumulation. Some commentators have focused on how both artists and workers in many parts of the world have ceased producing objects and instead engage in performances, provide services, or manage interpersonal exchanges. Others have commented on the professionalization of art as an entrepreneurial undertaking, along with its particular degrees, institutions, and markets. A further approach understands art making within the context of a global “precariat” of contingent freelance workers whose livelihoods are wholly subject to the flux of economic forces. Often these concerns intersect in ways that can be illuminating and provocative, pointing to the tensions and fissures between art and work that disclose differential forms of privilege and value. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Art Journal is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Art Journal holder: Taylor & Francis Ltd dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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