Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan.
Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. Thi...
| Publicado en: | Nomadic Peoples Vol. 18; no. 2; pp. 78 - 100 |
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| Autores principales: | , |
| Formato: | Artículo |
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White Horse Press
2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=97943822&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 97943822 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 08227942 9GK jtl: Nomadic Peoples issn: 08227942 maglogo: N pubinfo: dt: 2014 vid: 18 iid: 2 pid: 12888 pub: White Horse Press artinfo: ui: 97943822 10.3197/np.2014.180206 ppf: 78 ppct: 22 formats: fmt: @attributes: type: P size: 880KB tig: atl: Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan. aug: au: Hood, Kathleen Al-Oun, Mohammad su: Jordan Performance Public sphere Cultural identity Ethics Manners & customs -- History Bedouins sug: subj: Performance Public sphere Cultural identity Ethics Jordan Manners & customs -- History Bedouins keyword: Bedouin change identity performance traditions Bedouin change identity performance traditions ab: Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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