THE PREPARATION OF RENAISSANCE: DIETRICH OF FREIBERG, MEISTER ECKHART, NICHOLAS OF CUSA.

The Renaissance can surely be called a great amalgam of diverse historical, cultural and philosophical impulses. Its outwardly impressive traits hide a pedigree of a confused and enigmatic nature that had combined the bulk of Christian, ancient and medieval motifs in their mutual interaction. The ma...

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Publicado en:TRAMES: A Journal of the Humanities & Social Sciences Vol. 18; no. 3; pp. 265 - 304
Autor principal: Undusk, Rein
Formato: Artículo
Publicado: Teaduste Akadeemia Kirjastus 2014
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: THE PREPARATION OF RENAISSANCE: DIETRICH OF FREIBERG, MEISTER ECKHART, NICHOLAS OF CUSA.
      aug:
        au: Undusk, Rein
        affil: Under and Tuglas Literature Centre, Tallinn
      su:
        Nicholas, of Cusa, Cardinal, 1401-1464
        Albertus, Magnus, Saint, ca. 1193-1280
        Thomas, Aquinas, Saint, ca. 1225-1274
        Dietrich, von Freiberg, ca. 1250-ca. 1310
        Eckhart, Meister, d. 1327
        Nominalism
        Christian philosophy
        Renaissance
      sug:
        subj:
          Nominalism
          Christian philosophy
          Renaissance
          Nicholas, of Cusa, Cardinal, 1401-1464
          Albertus, Magnus, Saint, ca. 1193-1280
          Thomas, Aquinas, Saint, ca. 1225-1274
          Dietrich, von Freiberg, ca. 1250-ca. 1310
          Eckhart, Meister, d. 1327
      keyword:
        beatific vision
        being
        Franciscan philosophy
        German Dominican Sonderentwicklung
        intellect
        nominalism
        volition
        beatific vision
        being
        Franciscan philosophy
        German Dominican Sonderentwicklung
        intellect
        nominalism
        volition
      ab: The Renaissance can surely be called a great amalgam of diverse historical, cultural and philosophical impulses. Its outwardly impressive traits hide a pedigree of a confused and enigmatic nature that had combined the bulk of Christian, ancient and medieval motifs in their mutual interaction. The marks of the Renaissance are therefore ambiguous, allowing for explanations from differing or even contradictory positions. Focusing on German Dominican thinking of the later medieval period, the present article argues how some characteristics of the Renaissance can be deduced from the background of Albert the Great, Dietrich of Freiberg, and Meister Eckhart, and how they provided material for the symbiotic work in the person of Nicholas of Cusa.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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