(Re)framing Eliza Haywood: Portraiture, Printer's Ornaments, and the Fashioning of Female Authorship.
An examination of visual representations of Eliza Haywood in the form of portraits, printer's ornaments, and frontispieces not only reveals new potential images of Haywood as an author, but also provides history and context for her life and work. As there are a number of other images of Haywood beyo...
| Publicado en: | Journal for Early Modern Cultural Studies Vol. 14; no. 4; pp. 15 - 39 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Fall2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=98384110&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 98384110 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15310485 DBLW jtl: Journal for Early Modern Cultural Studies issn: 15310485 maglogo: N pubinfo: dt: Fall2014 vid: 14 iid: 4 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 98384110 10.1353/jem.2014.0038 ppf: 15 ppct: 24 formats: fmt: @attributes: type: P size: 5.9MB tig: atl: (Re)framing Eliza Haywood: Portraiture, Printer's Ornaments, and the Fashioning of Female Authorship. aug: au: CREEL, SARAH su: Haywood, Eliza Fowler, ca. 1693-1756 Portraits of authors British women authors Vertue, George King, Kathryn R. Authorship sug: subj: Haywood, Eliza Fowler, ca. 1693-1756 Portraits of authors British women authors Vertue, George King, Kathryn R. Authorship ab: An examination of visual representations of Eliza Haywood in the form of portraits, printer's ornaments, and frontispieces not only reveals new potential images of Haywood as an author, but also provides history and context for her life and work. As there are a number of other images of Haywood beyond the iconic portrait engraved by George Vertue, considering these images in relation to one another allows us to see multiple, historically contextualized facets of Haywood's life and work. his contextualization begins to put into practice what Kathryn King has called for in A Political Biography: more studies that take what Juliette Merrit has called the "long view" of Haywood studies. his long view incorporates the almost forty years of Haywood's career--including her writing preoccupations and strategies as an author-- instead of focusing on decontextualized or reductive readings of her texts. This essay explores visual representations of Haywood throughout her career in order to offer a long view of the ways in which ways these representations helped build a carefully constructed persona of the author herself. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal for Early Modern Cultural Studies is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal for Early Modern Cultural Studies holder: University of Pennsylvania Press dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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