The Narrator as Invisible Spy: Eliza Haywood, Secret History and the Novel.
This essay argues that Haywood used The Invisible Spy (1755) to lay bare narrative devices that she deployed in much of her amatory fiction as well as in her secret histories, and that distinguished secret history from history, the spy from the spectator, and what Haywood called the "novel" from con...
| Publicado en: | Journal for Early Modern Cultural Studies Vol. 14; no. 4; pp. 143 - 163 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Fall2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=98384115&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 98384115 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15310485 DBLW jtl: Journal for Early Modern Cultural Studies issn: 15310485 maglogo: N pubinfo: dt: Fall2014 vid: 14 iid: 4 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 98384115 10.1353/jem.2014.0046 ppf: 143 ppct: 20 formats: fmt: @attributes: type: P size: 1.4MB tig: atl: The Narrator as Invisible Spy: Eliza Haywood, Secret History and the Novel. aug: au: TAVOR BANNET, EVE su: Haywood, Eliza Fowler, ca. 1693-1756 Invisible Spy, The (Book) English fiction Narratives Fiction writing techniques Fiction Literary criticism British women authors sug: subj: Haywood, Eliza Fowler, ca. 1693-1756 Invisible Spy, The (Book) English fiction Narratives Fiction writing techniques Fiction Literary criticism British women authors ab: This essay argues that Haywood used The Invisible Spy (1755) to lay bare narrative devices that she deployed in much of her amatory fiction as well as in her secret histories, and that distinguished secret history from history, the spy from the spectator, and what Haywood called the "novel" from contemporary confessional forms of fictional writing. Haywood was making a polemical statement both about her own career and about the "novel" at the end of her life, at a moment when history and the novel were contending for supremacy on much the same ground. In doing so, Haywood highlights a key but neglected dimension of the history of the novel. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal for Early Modern Cultural Studies is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal for Early Modern Cultural Studies holder: University of Pennsylvania Press dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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