Fan edits and the legacy of The Phantom Edit.
A fan edit can generally be defined as an alternative version of a film or television text created by a fan. It offers a different viewing experience, much as a song remix offers a different listening experience. The contemporary wave of fan edits has emerged during the remix zeitgeist of digital me...
| Publicado en: | Transformative Works & Cultures Vol. 17; pp. 1 - 2 |
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| Formato: | Artículo |
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Organization for Transformative Works - Karen Hellekson
Sep2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=98424485&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 98424485 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 19412258 6BE4 jtl: Transformative Works & Cultures issn: 19412258 maglogo: N pubinfo: dt: Sep2014 vid: 17 pid: 44624 pub: Organization for Transformative Works - Karen Hellekson artinfo: ui: 98424485 10.3983/twc.2014.0575 ppf: 1 ppct: 1 formats: fmt: @attributes: type: T tig: atl: Fan edits and the legacy of The Phantom Edit. aug: au: Wille, Joshua affil: University of Kansas, Lawrence, Kansas, United States su: Motion picture editing Television film editing Digital media Intellectual property Star Wars films sug: subj: Motion picture editing Television film editing Digital media Intellectual property Star Wars films keyword: Copyright Fair use George Lucas Remix Star Wars ab: A fan edit can generally be defined as an alternative version of a film or television text created by a fan. It offers a different viewing experience, much as a song remix offers a different listening experience. The contemporary wave of fan edits has emerged during the remix zeitgeist of digital media and at a time when digital video editing technology has become more affordable and popular. The increasing number of alternative versions of films and the works of revisionist Hollywood filmmakers such as George Lucas have contributed to a greater public understanding of cinema as a fluid medium instead of one that exists in a fixed form. The Phantom Edit (2000), a seminal fan edit based on Lucas's Star Wars Episode I: The Phantom Menace (1999), inspired new ranks of fan editors. However, critics have misunderstood fan edits as merely the work of disgruntled fans. In order to provide a critical and historical basis for studies in fan editing as a creative practice, I examine previous interpretations of fan edits in the context of relevant contemporary works, and I use an annotated chronology of The Phantom Edit to trace its influence on subsequent fan editing communities and uncover their relationship with intellectual property disputes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Transformative Works & Cultures is the property of Organization for Transformative Works - Karen Hellekson and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Transformative Works & Cultures holder: Organization for Transformative Works - Karen Hellekson dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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