Since Feeling is First: Teaching Royal Ethics through Managing the Emotions in the Late Middle Ages.
The appropriation of the works of Aristotle and his commentators on the emotions by scholars like Thomas Aquinas in the thirteenth century brought about the challenge of accommodating them within the Christian ethical tradition. I explore the transformation of emotions discourse by analysing three s...
| Publicado en: | Parergon Vol. 31; no. 1; pp. 47 - 73 |
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| Formato: | Artículo |
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Australian & New Zealand Association for Medieval & Early Modern Studies
2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=98706201&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 98706201 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03136221 65HN jtl: Parergon issn: 03136221 maglogo: N pubinfo: dt: 2014 vid: 31 iid: 1 pid: 43679 pub: Australian & New Zealand Association for Medieval & Early Modern Studies artinfo: ui: 98706201 10.1353/pgn.2014.0057 ppf: 47 ppct: 26 formats: fmt: @attributes: type: P size: 1.2MB tig: atl: Since Feeling is First: Teaching Royal Ethics through Managing the Emotions in the Late Middle Ages. aug: au: Zahora, Tomas affil: Monash University su: Aristotle, 384-322 B.C. Christian ethics Emotions Philosophy of emotions Middle age sug: subj: Aristotle, 384-322 B.C. Christian ethics Emotions Philosophy of emotions Middle age ab: The appropriation of the works of Aristotle and his commentators on the emotions by scholars like Thomas Aquinas in the thirteenth century brought about the challenge of accommodating them within the Christian ethical tradition. I explore the transformation of emotions discourse by analysing three specula written for the French royal family by Vincent of Beauvais, Giles of Rome, and Durand of Champagne. I argue that these works create a space in which new and older modes of managing behaviour coexist, even as the gradual privileging of the emotions against the traditional focus on the mores amounts to emotions' discursive reification. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Parergon is the property of Australian & New Zealand Association for Medieval & Early Modern Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Parergon holder: Australian & New Zealand Association for Medieval & Early Modern Studies dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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