Walking with Hegel in Marseilles: Robert Guédiguian and Les Neiges du Kilimandjaro.

Robert Guédiguian’s Les Neiges de Kilimandjaro (2011) draws on Marius et Jeannette (1997) and La Ville est tranquille (2000), features he likewise filmed on location in his native Marseilles. As a series or set, the three films constitute a loose version of the Hegelian dialectic of thesis, antithes...

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Detalles Bibliográficos
Publicado en:French Cultural Studies Vol. 25; no. 3/4; pp. 281 - 290
Autor principal: Ungar, Steven
Formato: Artículo
Publicado: Sage Publications Inc. Aug2014
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        Guédiguian, Robert, 1953-
        Realism
        Hotel management
        Working class
        Filmmakers
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          Guédiguian, Robert, 1953-
          Realism
          Hotel management
          Working class
          Filmmakers
      keyword:
        G. W. F. Hegel
        Jean Jaurès
        Marseilles
        Robert Guédiguian
        sense of place
        warm realism
      ab: Robert Guédiguian’s Les Neiges de Kilimandjaro (2011) draws on Marius et Jeannette (1997) and La Ville est tranquille (2000), features he likewise filmed on location in his native Marseilles. As a series or set, the three films constitute a loose version of the Hegelian dialectic of thesis, antithesis and synthesis that is evident in Guédiguian’s cinematic treatment of Marseilles’ evolving topography and demographics. The conclusion of Les Neiges de Kilimandjaro suggests a possible means of updating a commitment to social change based in overcoming class difference at a moment when this has yielded to a more brutal distinction between the rich and the poor.
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    language: English
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