When 'Boy Meets Tractor' became 'Scientist Meets Cybernetics': post-war scientific paradigms and the socialist realist plot.
In the 1976 novella One Billion Years Before the End of the World, the Soviet Union's science fiction writers A. and B. Strugatsky created a tale about contemporary Moscow scientists who are prevented by mysterious forces from completing their work. This analysis shows how the Strugatskys imbedded t...
| Publicado en: | Neohelicon Vol. 41; no. 2; pp. 391 - 400 |
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| Formato: | Artículo |
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Springer Nature
Dec2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=99008596&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 99008596 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03244652 OK8 jtl: Neohelicon issn: 03244652 maglogo: N pubinfo: dt: Dec2014 vid: 41 iid: 2 pid: 237 pub: Springer Nature artinfo: ui: 99008596 10.1007/s11059-014-0240-2 ppf: 391 ppct: 9 formats: fmt: @attributes: type: P size: 142KB tig: atl: When 'Boy Meets Tractor' became 'Scientist Meets Cybernetics': post-war scientific paradigms and the socialist realist plot. aug: au: Howell, Yvonne affil: University of Richmond, Richmond USA su: Realist fiction Cybernetics Socialists Literary form International relations sug: subj: Realist fiction Cybernetics Socialists Literary form International relations keyword: Socialist realism Soviet science fiction Strugatsky ab: In the 1976 novella One Billion Years Before the End of the World, the Soviet Union's science fiction writers A. and B. Strugatsky created a tale about contemporary Moscow scientists who are prevented by mysterious forces from completing their work. This analysis shows how the Strugatskys imbedded the systems feedback (cybernetic) paradigm into the familiar narrative stages of a socialist realist fairytale. The non-teleological principles of cybernetics could not be reconciled with the formal structure of socialist realism, so that the exchange between science and literature proceeded in an unanticipated direction. Insofar as writers used advances in Soviet science as a source of aesthetic material, they were able to create new possibilities of meaning and interpretation in a mandated literary form. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neohelicon is a copyright of Springer, 2014. All Rights Reserved. item: Neohelicon holder: Springer Nature dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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