Stéphane Mallarmé Self-Appointed Publisher of His Own Work: 1865-98, the Editorial Epic of The Afternoon of a Faun.
For Stéphane Mallarmé (1842-98), the making of the ideal book, which will evolve into a whole, begins with a sentence and is both a writing and publishing process which the poet must fully assume and control in order for the vessel to convey its necessary two dimensions or meanings, both material an...
| Publicado en: | Quaerendo Vol. 44; no. 1/2; pp. 1 - 37 |
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| Formato: | Artículo |
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Brill Academic Publishers
2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=99221806&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 99221806 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00149527 C4O jtl: Quaerendo issn: 00149527 maglogo: Y pubinfo: dt: 2014 vid: 44 iid: 1/2 pid: 639 pub: Brill Academic Publishers artinfo: ui: 99221806 10.1163/15700690-12341286 ppf: 1 ppct: 36 formats: fmt: @attributes: type: P size: 12.7MB tig: atl: Stéphane Mallarmé Self-Appointed Publisher of His Own Work: 1865-98, the Editorial Epic of The Afternoon of a Faun. aug: au: Ouvry-Vial, Brigitte affil: Université du Maine, Le Mans, France su: Mallarmé, Stéphane, 1842-1898 Afternoon of a Faun, The (Book : Mallarmé) Authorship Creative ability History of books & reading Editions Author-publisher relations sug: subj: Mallarmé, Stéphane, 1842-1898 Afternoon of a Faun, The (Book : Mallarmé) Authorship Creative ability History of books & reading Editions Author-publisher relations keyword: book art deluxe editions nineteenth-century French literature publishing history self-publishing Stéphane Mallarmé symbolism the making of a book ab: For Stéphane Mallarmé (1842-98), the making of the ideal book, which will evolve into a whole, begins with a sentence and is both a writing and publishing process which the poet must fully assume and control in order for the vessel to convey its necessary two dimensions or meanings, both material and poetic. The editorial epic of The Afternoon of a Faun (1865-98), provides a unique standpoint to observe that absolutist and innovative view of the book as a formal and substantive aesthetic unit, as a strategic site for encouraging a modern public to actively partake in the creative act leading to radically empowering reading experiences that anticipate interactive media prevalent in today's culture. The study indeed retraces and exhibits the aesthetic concepts invested in the poet' s work, leading to a formal specific layout of the book and a taste for lavish editions that not everyone was ready to understand or to comply with - thus the unstable, often stormy relationships and lingering competition between renowned authors and their publishers - at a time, the end of the nineteenth century, where the latter have not reached the autonomous or even domineering position of their twentieth-century's counterparts as co-author or influential master of authors' fate. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Quaerendo is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Quaerendo holder: Brill Academic Publishers dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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