ANTONINAS ARTAUD IR GILLES'IO DELEUZE'O MODERNAUS KINO FILOSOFIJA.
The article aims to decipher the traces of Antonin Artaud's (1898-1948) ideas in Gilles Deleuze's (1925-1995) philosophy of modem cinema, expressed in Cinema 2, L'Image-Temps. The paper focuses on the following questions: In what sense Deleuze's experimentation with Artaud's ideas in the chapter VII...
| Publicado en: | Problems / Problemos Vol. 86; pp. 83 - 98 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Vilnius University
2014
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=99242310&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 99242310 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13921126 3D4C jtl: Problems / Problemos issn: 13921126 maglogo: N pubinfo: dt: 2014 vid: 86 pid: 16037 pub: Vilnius University artinfo: ui: 99242310 10.15388/Problemos.2014.0.3953 ppf: 83 ppct: 15 formats: fmt: @attributes: type: P size: 7.2MB tig: atl: ANTONINAS ARTAUD IR GILLES'IO DELEUZE'O MODERNAUS KINO FILOSOFIJA. aug: au: Baranova, Jūratė affil: Lietuvos edukologijos universitetas Filosofijos katedra Ševčenkos g. 31-228, Vilnius su: Artaud, Antonin, 1896-1948 Deleuze, Gilles, 1925-1995 Motion pictures & philosophy Eisenstein, Sergei, 1898-1948 Philosophy methodology sug: subj: Artaud, Antonin, 1896-1948 Deleuze, Gilles, 1925-1995 Motion pictures & philosophy Eisenstein, Sergei, 1898-1948 Philosophy methodology keyword: cinema film philosophy Antonin Artaud Gilles Deleuze kino filosofija ab: The article aims to decipher the traces of Antonin Artaud's (1898-1948) ideas in Gilles Deleuze's (1925-1995) philosophy of modem cinema, expressed in Cinema 2, L'Image-Temps. The paper focuses on the following questions: In what sense Deleuze's experimentation with Artaud's ideas in the chapter VII. La pensée et la cinéma differs from his approach towards the ideas of the Russian film director Sergei Eisenstein? How do Artaud's reflections about the l 'impouvoir de la pensée work in Deleuz's text? Has Artaud's reflection on body without organs anything to do with two possible bodies (body of poses and body of ceremonies) that Deleuze has discerned as the signs o f modem cinema? The author of the article comes to the conclusion that it is possible to discern two conceptions of a body that Deleuze borrowed from Artaud: pre-schizophrenic body of poses and gestures, which constitutes the conceptual core of the theatre of cruelty, the other one - schizophrenic body without organs. The latter influenced Deleuze'ss research together with Guattari, the former - his conceptual presuppositions for philosophizing on modem cinema. The main thesis of this article is that it is not possible to neglect and not notice Artaud's influence on Deleuze's film philosophy when discussing the theorethical sources o f his philosophy of modem cinema. Straipsnis skiriamas prancūzų aktoriaus, poeto, scenaristo, žiaurumo teatro idėjos autoriaus Antonino Artaud (1898-1948) idėjų pėdsakų šifravimui Gilles'io Deieuze'o (1925-1995) kino filosofijoje. Straipsnyje keliami klausimai: kuo Artaud idėjų traktuotė antrajame knygos „Kinas“ tome „Vaizdinys-lai-kas“ skiriasi nuo čia pat aptariamų rusų režisieriaus Sergejaus Eisensteino idėjų įtakos? Kaip modernaus kino filosofijoje veikia Deieuze'ui svarbi Artaud mintis apie pamatinę minties bejėgystę, įkūnytą pačioje mintyje? Ar iš Artaud pasiskolintas „kūno be organų“ konceptas išveda į kasdienį ir ceremonijų kūną, apie kurį rašo Deleuze'as kaip apie modernaus kino ženklą? Straipsnyje prieinama prie išvados, kad visgi galima išskirti dvi Deleuze'o iš Artaud perimtas kūno traktuotes: iki-šizofrenišką pozų ir gestų kūną, kuris sudaro pamatinę „žiaurumo teatro“ konceptualinę šerdį ir kuria remiasi Deleuze'as, rašydamas apie modernaus kino tapsmą, bei šizofrenišką „kūną be organų“, kuris turėjo įtakos Deleuze'o ir Guattari tyrimams. Pamatinė straipsnyje ginama tezė: tiriant teorines įtakas Deleuze'o modernaus kino filosofijai, neįmanoma apeiti ir nepastebėti Artaud. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Problems / Problemos holder: Vilnius University dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
|---|