Filming Dance: Embodied Syntax in Sasha Waltz's S.
This paper brings Merleau-Ponty's phenomenological approach to Sasha Waltz's dance film S, which focuses on the relation between sexuality and language. Maintaining that movement in cinema takes place in the viewers and not the film, the paper considers how the visual can be deepened to include the...
| Publicado en: | Paragraph Vol. 38; no. 1; pp. 69 - 86 |
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| Formato: | Artículo |
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Edinburgh University Press
2015
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| Acceso en línea: | Ver este registro en EBSCOhost |