Filming Dance: Embodied Syntax in Sasha Waltz's S.
This paper brings Merleau-Ponty's phenomenological approach to Sasha Waltz's dance film S, which focuses on the relation between sexuality and language. Maintaining that movement in cinema takes place in the viewers and not the film, the paper considers how the visual can be deepened to include the...
| Publicado en: | Paragraph Vol. 38; no. 1; pp. 69 - 86 |
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| Formato: | Artículo |
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Edinburgh University Press
2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101350381&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101350381 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02648334 C0N jtl: Paragraph issn: 02648334 maglogo: N pubinfo: dt: 2015 vid: 38 iid: 1 pid: 2327 pub: Edinburgh University Press artinfo: ui: 101350381 10.3366/para.2015.0147 ppf: 69 ppct: 17 formats: fmt: @attributes: type: P size: 100KB tig: atl: Filming Dance: Embodied Syntax in Sasha Waltz's S. aug: au: Fielding, Helen A. su: Dance Photographic film Language & culture Merleau-Ponty, Maurice, 1908-1961 Waltz, Sasha Human sexuality sug: subj: Dance Photographic film Language & culture Merleau-Ponty, Maurice, 1908-1961 Waltz, Sasha Human sexuality keyword: corporeal schema dance film language Merleau-Ponty movement Sasha Waltz sexuality ab: This paper brings Merleau-Ponty's phenomenological approach to Sasha Waltz's dance film S, which focuses on the relation between sexuality and language. Maintaining that movement in cinema takes place in the viewers and not the film, the paper considers how the visual can be deepened to include the ways we move and are moved. Saussure's insights into language are brought to the sensible, which is here understood in terms of divergences from norms. Though film would seem to privilege vision, viewing this film helps to elucidate Merleau-Ponty's claim that a film succeeds when it engages the viewer's embodied understanding, and shifts the norms of the corporeal schema. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Paragraph is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Paragraph holder: Edinburgh University Press dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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