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Thibaut de Champagne and Lyric Auctoritas in Paris, BnF fr. 12615.

Medieval composers and audiences alike took great stock in the cultural value of auctoritas, the notion that new compositions should closely follow the patterns set by previously accepted authors. The present study examines the concept as it applies to the composition of a particular manuscript: Par...

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Published in:Textual Cultures: Text, Contexts, Interpretation (Society for Textual Scholarship) Vol. 8; no. 2; pp. 31 - 50
Main Author: O'Sullivan, Daniel E.
Format: Article
Published: Society for Textual Scholarship Fall2013
Subjects:
Composers
Musicians
Audiences
Communication & society
Compilers (Computer programs)
Online Access:View this record in EBSCOhost