Thibaut de Champagne and Lyric Auctoritas in Paris, BnF fr. 12615.
Medieval composers and audiences alike took great stock in the cultural value of auctoritas, the notion that new compositions should closely follow the patterns set by previously accepted authors. The present study examines the concept as it applies to the composition of a particular manuscript: Par...
| Publicado en: | Textual Cultures: Text, Contexts, Interpretation (Society for Textual Scholarship) Vol. 8; no. 2; pp. 31 - 50 |
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| Formato: | Artículo |
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Society for Textual Scholarship
Fall2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=110091425&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 110091425 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15592936 MTHA jtl: Textual Cultures: Text, Contexts, Interpretation (Society for Textual Scholarship) issn: 15592936 maglogo: N pubinfo: dt: Fall2013 vid: 8 iid: 2 pid: 63739 pub: Society for Textual Scholarship artinfo: ui: 110091425 10.14434/tc.v8i2.13274 ppf: 31 ppct: 19 formats: tig: atl: Thibaut de Champagne and Lyric Auctoritas in Paris, BnF fr. 12615. aug: au: O'Sullivan, Daniel E. affil: University of Mississippi su: Composers Musicians Audiences Communication & society Compilers (Computer programs) sug: subj: Composers Musicians Audiences Communication & society Compilers (Computer programs) ab: Medieval composers and audiences alike took great stock in the cultural value of auctoritas, the notion that new compositions should closely follow the patterns set by previously accepted authors. The present study examines the concept as it applies to the composition of a particular manuscript: Paris, BnF fr. 12615. The codex underwent at least two, and most likely three, stages of compilation. Strategies of compilatio and ordinatio are examined to demonstrate how the compiler uses earlier songbooks dedicated to Thibaut de Champagne (d. 1253) to shape his own songbook and gradually move his anthology from aristocratic to urban, Artesian notions of auctoritas. Subsequent additions to 12615 enhance the original compiler's scheme. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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