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SUBVERSIÓN Y ESPECTÁCULO: LA ANTIPOESÍA DE NICANOR PARRA.

This article proposes to consider Nicanor Parra's poetic work produced after Sermones y prédicas del Cristo de Elqui, that is from the 1980s onwards, as postmodern. Following this consideration, this postmodern work can be intellectively apprehended from Jameson's concept of "pastiche" as imitation...

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Publicado en:Revista Chilena de Literatura no. 91; pp. 35 - 51
Autor principal: Morales Toro, Leonidas
Formato: Artículo
Publicado: Universidad de Chile nov2015
Acceso en línea:Ver este registro en EBSCOhost
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        imitation
        modernism
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        This article proposes to consider Nicanor Parra's poetic work produced after Sermones y prédicas del Cristo de Elqui, that is from the 1980s onwards, as postmodern. Following this consideration, this postmodern work can be intellectively apprehended from Jameson's concept of "pastiche" as imitation of itself. The development of the critical argumentation takes into account diverse aspects of Parra's work, such as signs, discursive structures, and visual images.
        El artículo propone, primero, considerar la obra de Parra posterior a los Sermones y prédicas del Cristo de Elqui, es decir, desde la década de 1980 en adelante, como posmoderna, y, segundo, plantea la tesis de que esta obra posmoderna se deja aprehender intelectivamente desde el concepto de "pastiche" (Jameson) como imitación de sí mismo. El desarrollo de la argumentación crítica pone en juego diversos planos de la obra: signos, estructuras discursivas e imágenes visuales.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Spanish
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