SUBVERSIÓN Y ESPECTÁCULO: LA ANTIPOESÍA DE NICANOR PARRA.
This article proposes to consider Nicanor Parra's poetic work produced after Sermones y prédicas del Cristo de Elqui, that is from the 1980s onwards, as postmodern. Following this consideration, this postmodern work can be intellectively apprehended from Jameson's concept of "pastiche" as imitation...
| Published in: | Revista Chilena de Literatura no. 91; pp. 35 - 51 |
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| Format: | Article |
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Universidad de Chile
nov2015
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| Online Access: | View this record in EBSCOhost |