Go To Hell : Towards a Gesture-Based Compositional Practice.

This paper discusses musical gesture from an understanding of musical perception as embodied and enactive, also drawing specifically on Denis Smalley’s [(2007). Space-form and the acousmatic image.Organised Sound,12(1), 35–58] analysis of performed space. I will provide examples of how choreographie...

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Bibliographic Details

Published in:	Contemporary Music Review Vol. 35; no. 4/5; pp. 475 - 500
Main Author:	Östersjö, Stefan
Format:	Article
Published:	Taylor & Francis Ltd Aug-Oct2016
Subjects:	Gesture in music Musical notation Arrangement (Musical composition) Musical perception Musical performance
Online Access:	View this record in EBSCOhost