Go To Hell : Towards a Gesture-Based Compositional Practice.
This paper discusses musical gesture from an understanding of musical perception as embodied and enactive, also drawing specifically on Denis Smalley’s [(2007). Space-form and the acousmatic image.Organised Sound,12(1), 35–58] analysis of performed space. I will provide examples of how choreographie...
| Publicado en: | Contemporary Music Review Vol. 35; no. 4/5; pp. 475 - 500 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Aug-Oct2016
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| Acceso en línea: | Ver este registro en EBSCOhost |