The Grammar of the Heart: Emblems and Theatrical Strategies in John Ford's Tragedies.
John Ford's major tragedies operate as stage emblems that articulate a theory of passions, a grammar of the heart, grounded as much on Petrarch's language as on the humoral formulation of human affects. Keeping a directorial eye towards their potential staging in the restricted space of The Blackfri...
| Publicado en: | Parergon Vol. 33; no. 3; pp. 161 - 199 |
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| Formato: | Artículo |
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Australian & New Zealand Association for Medieval & Early Modern Studies
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=123943197&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 123943197 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03136221 65HN jtl: Parergon issn: 03136221 maglogo: N pubinfo: dt: 2016 vid: 33 iid: 3 pid: 43679 pub: Australian & New Zealand Association for Medieval & Early Modern Studies artinfo: ui: 123943197 10.1353/pgn.2016.0135 ppf: 161 ppct: 38 formats: fmt: @attributes: type: P size: 11.9MB tig: atl: The Grammar of the Heart: Emblems and Theatrical Strategies in John Ford's Tragedies. aug: au: Gómez Lara, Manuel J. affil: University of Seville su: Ford, John Testimony (Theory of knowledge) Theater critics Beham, Barthel, 1502-1540 Learning of the Heart, The (Poem) sug: subj: Ford, John Testimony (Theory of knowledge) Theater critics Beham, Barthel, 1502-1540 Learning of the Heart, The (Poem) ab: John Ford's major tragedies operate as stage emblems that articulate a theory of passions, a grammar of the heart, grounded as much on Petrarch's language as on the humoral formulation of human affects. Keeping a directorial eye towards their potential staging in the restricted space of The Blackfriars or The Phoenix, I examine how these complex symbolic images enable the overlapping of the symbolic and narrative levels of the plays. Associated with different trends in Christian spirituality, they help Ford to emphasise repentance and moral regeneration as the main ethical stance of his protagonists. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Parergon is the property of Australian & New Zealand Association for Medieval & Early Modern Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Parergon holder: Australian & New Zealand Association for Medieval & Early Modern Studies dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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