The Grammar of the Heart: Emblems and Theatrical Strategies in John Ford's Tragedies.

John Ford's major tragedies operate as stage emblems that articulate a theory of passions, a grammar of the heart, grounded as much on Petrarch's language as on the humoral formulation of human affects. Keeping a directorial eye towards their potential staging in the restricted space of The Blackfri...

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Publicado en:Parergon Vol. 33; no. 3; pp. 161 - 199
Autor principal: Gómez Lara, Manuel J.
Formato: Artículo
Publicado: Australian & New Zealand Association for Medieval & Early Modern Studies 2016
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Acceso en línea:Ver este registro en EBSCOhost