The Grammar of the Heart: Emblems and Theatrical Strategies in John Ford's Tragedies.
John Ford's major tragedies operate as stage emblems that articulate a theory of passions, a grammar of the heart, grounded as much on Petrarch's language as on the humoral formulation of human affects. Keeping a directorial eye towards their potential staging in the restricted space of The Blackfri...
| Publicado en: | Parergon Vol. 33; no. 3; pp. 161 - 199 |
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| Formato: | Artículo |
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Australian & New Zealand Association for Medieval & Early Modern Studies
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |