The sampling continuum: musical aesthetics and ethics in the age of digital production.
This article argues for a view of popular music production that better accounts for sampling than has historically been the case by viewing it as a continuum of activity. Weighing evidence from interviews with musical practitioners against the legal and industry frameworks, we illustrate, first, how...
| Published in: | Journal for Cultural Research Vol. 21; no. 3; pp. 223 - 241 |
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| Main Authors: | , , |
| Format: | Article |
| Published: |
Taylor & Francis Ltd
Sep2017
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |