The sampling continuum: musical aesthetics and ethics in the age of digital production.
This article argues for a view of popular music production that better accounts for sampling than has historically been the case by viewing it as a continuum of activity. Weighing evidence from interviews with musical practitioners against the legal and industry frameworks, we illustrate, first, how...
| Publicado en: | Journal for Cultural Research Vol. 21; no. 3; pp. 223 - 241 |
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| Autores principales: | , , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Sep2017
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |