Still figures: Photography, modernity and gender in Neera's Fotografie matrimoniali.

The article examines the photographic metaphor of the text at a formal and thematic level in the context of Italian modernization. It argues that Anna Radius Zuccari's, known as Neera, use of photography as a ‘new' structural device ultimately frames the novel's protagonist within a very conservativ...

Descripción completa

Detalles Bibliográficos
Publicado en:Italianist Vol. 30; pp. 26 - 50
Autor principal: Valisa, Silvia
Formato: Artículo
Publicado: Taylor & Francis Ltd 2010 Supplement
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=125757095&site=ehost-live
header:
  @attributes:
    shortDbName: ssf
    uiTerm: 125757095
    longDbName: Social Sciences Full Text (H.W. Wilson)
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        02614340
        PKL
      jtl: Italianist
      issn: 02614340
      maglogo: N
    pubinfo:
      dt: 2010 Supplement
      vid: 30
      pid: 377
      pub: Taylor & Francis Ltd
    artinfo:
      ui:
        125757095
        10.1179/026143411X13115913307833
      ppf: 26
      ppct: 24
      formats:
        fmt:
          @attributes:
            type: P
            db: hlh
            ui: 125757095
      tig:
        atl: Still figures: Photography, modernity and gender in Neera's Fotografie matrimoniali.
      aug:
        au: Valisa, Silvia
      su:
        Zuccari, Anna Radius
        Modernization (Social science)
        Modern civilization
        Women authors
        Photographic criticism
        Protagonists (Persons)
      sug:
        subj:
          Modernization (Social science)
          Modern civilization
          Women authors
          Photographic criticism
          Protagonists (Persons)
          Zuccari, Anna Radius
      ab: The article examines the photographic metaphor of the text at a formal and thematic level in the context of Italian modernization. It argues that Anna Radius Zuccari's, known as Neera, use of photography as a ‘new' structural device ultimately frames the novel's protagonist within a very conservative modernity, especially in terms of gender roles.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: N
    holdings:
      @attributes:
        islocal: N