Still figures: Photography, modernity and gender in Neera's Fotografie matrimoniali.
The article examines the photographic metaphor of the text at a formal and thematic level in the context of Italian modernization. It argues that Anna Radius Zuccari's, known as Neera, use of photography as a ‘new' structural device ultimately frames the novel's protagonist within a very conservativ...
| Published in: | Italianist Vol. 30; pp. 26 - 50 |
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| Format: | Article |
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Taylor & Francis Ltd
2010 Supplement
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| Online Access: | View this record in EBSCOhost |