Pour une phénoménologie de l'évidence esthétique.
If the idea of a phenomenological aesthetic evidence is far from being obvious, it may yet become necessary in the description of the aesthetic experience. For the way a work of art can imperiously impose on the viewer reveals a kind of power that may suggests that this evidence is more than just a...
| Publicado en: | Studia Phaenomenologica Vol. 17; pp. 405 - 417 |
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| Autor principal: | |
| Formato: | Artículo |
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Zeta Books
2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | If the idea of a phenomenological aesthetic evidence is far from being obvious, it may yet become necessary in the description of the aesthetic experience. For the way a work of art can imperiously impose on the viewer reveals a kind of power that may suggests that this evidence is more than just a subjective feeling. Although Husserl's phenomenology doesn't consider such an evidence, and although this concept may even be regarded as a contradiction-- since evidence particularly characterizes the givenness of perceptive objects--we may yet find the conditions of possibility of such an aesthetic evidence in Husserl's work. |
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