Pour une phénoménologie de l'évidence esthétique.

If the idea of a phenomenological aesthetic evidence is far from being obvious, it may yet become necessary in the description of the aesthetic experience. For the way a work of art can imperiously impose on the viewer reveals a kind of power that may suggests that this evidence is more than just a...

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Detalles Bibliográficos
Publicado en:Studia Phaenomenologica Vol. 17; pp. 405 - 417
Autor principal: Delmotte, Benjamin
Formato: Artículo
Publicado: Zeta Books 2017
Acceso en línea:Ver este registro en EBSCOhost
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        aesthetics
        art
        evidence
        necessity
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      ab: If the idea of a phenomenological aesthetic evidence is far from being obvious, it may yet become necessary in the description of the aesthetic experience. For the way a work of art can imperiously impose on the viewer reveals a kind of power that may suggests that this evidence is more than just a subjective feeling. Although Husserl's phenomenology doesn't consider such an evidence, and although this concept may even be regarded as a contradiction-- since evidence particularly characterizes the givenness of perceptive objects--we may yet find the conditions of possibility of such an aesthetic evidence in Husserl's work.
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    language: French
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