Great Masters of Mexican Folk Art in Los Angeles: transnational exhibition, diasporic emplacement, and the expedient politics of display.
In this essay, I trace theGreat Masters of Mexican Folk Artexhibition from its inception in a privatized programme managed by the transnational bank Banamex through its multiple instantiations within U.S. museums in order to explore the transnational politics of the exhibition, as well as its role i...
| Publicado en: | Cultural Studies Vol. 32; no. 2; pp. 194 - 223 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=127676326&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 127676326 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09502386 05G jtl: Cultural Studies issn: 09502386 maglogo: N pubinfo: dt: Mar2018 vid: 32 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 127676326 10.1080/09502386.2017.1298640 ppf: 194 ppct: 29 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.8MB tig: atl: Great Masters of Mexican Folk Art in Los Angeles: transnational exhibition, diasporic emplacement, and the expedient politics of display. aug: au: Coffey, Mary K. affil: Department of Art History, Dartmouth College, Hanover, NH, USA su: Mexican folk art Transnationalism in art Art & society Art & politics Multiculturalism sug: subj: Mexican folk art Transnationalism in art Art & society Art & politics Multiculturalism keyword: diaspora exhibition Folk art Los Angeles Mexico transnationalism ab: In this essay, I trace theGreat Masters of Mexican Folk Artexhibition from its inception in a privatized programme managed by the transnational bank Banamex through its multiple instantiations within U.S. museums in order to explore the transnational politics of the exhibition, as well as its role in the diasporic emplacement of Mexican Americans. In so doing, I unsettle the ways we understand the commodification of difference through museum display and argue for the re-conceptualization of the museum as a transnational space in which varied multicultural imaginaries can be engaged and mobilized. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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