Great Masters of Mexican Folk Art in Los Angeles: transnational exhibition, diasporic emplacement, and the expedient politics of display.
In this essay, I trace theGreat Masters of Mexican Folk Artexhibition from its inception in a privatized programme managed by the transnational bank Banamex through its multiple instantiations within U.S. museums in order to explore the transnational politics of the exhibition, as well as its role i...
| Published in: | Cultural Studies Vol. 32; no. 2; pp. 194 - 223 |
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| Format: | Article |
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Taylor & Francis Ltd
Mar2018
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| Online Access: | View this record in EBSCOhost |