GLIMMERINGS OF THE POSTMODERN IN THOMAS HARDY'S JUDE THE OBSCURE.
In their evaluation ofJude the Obscure (1895), some earlier literary critics have justifiably (given the historical context) judged the text by the standards of the then dominant and sustained New Criticism trend, taking into account its symbiotic relationship with modernist aesthetics. The basic pr...
| Publicado en: | Victorian Literature & Culture Vol. 46; no. 1; pp. 201 - 220 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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Cambridge University Press
Mar2018
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| Acceso en línea: | Ver este registro en EBSCOhost |