GLIMMERINGS OF THE POSTMODERN IN THOMAS HARDY'S JUDE THE OBSCURE.

In their evaluation ofJude the Obscure (1895), some earlier literary critics have justifiably (given the historical context) judged the text by the standards of the then dominant and sustained New Criticism trend, taking into account its symbiotic relationship with modernist aesthetics. The basic pr...

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Detalles Bibliográficos
Publicado en:Victorian Literature & Culture Vol. 46; no. 1; pp. 201 - 220
Autor principal: Elbarbary, Samir
Formato: Literary Criticism
Publicado: Cambridge University Press Mar2018
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Acceso en línea:Ver este registro en EBSCOhost