Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video.
This article's broad aim is to demonstrate how to analyze a music video. I'll consider several videos by Beyoncé as well as a number from music video's history. I'll show how Beyoncé stands as the genre's fulcrum, both formal innovator and historical guardian. I’ll propose a working definition for t...
| Publicado en: | Film Criticism Vol. 41; no. 1; pp. 1 - 32 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Film Criticism
Mar2017
|
| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | This article's broad aim is to demonstrate how to analyze a music video. I'll consider several videos by Beyoncé as well as a number from music video's history. I'll show how Beyoncé stands as the genre's fulcrum, both formal innovator and historical guardian. I’ll propose a working definition for the genre, and discuss music video's technological and socio-economic influences. I’ll highlight some of the genre’s specificities, as well as show how audiovisual relations have changed, and the ways analysis might attend to technology, platform, and musical style. |
|---|