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Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video.

This article's broad aim is to demonstrate how to analyze a music video. I'll consider several videos by Beyoncé as well as a number from music video's history. I'll show how Beyoncé stands as the genre's fulcrum, both formal innovator and historical guardian. I’ll propose a working definition for t...

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Publicado en:Film Criticism Vol. 41; no. 1; pp. 1 - 32
Autor principal: Vernallis, Carol
Formato: Artículo
Publicado: Film Criticism Mar2017
Acceso en línea:Ver este registro en EBSCOhost
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      ab: This article's broad aim is to demonstrate how to analyze a music video. I'll consider several videos by Beyoncé as well as a number from music video's history. I'll show how Beyoncé stands as the genre's fulcrum, both formal innovator and historical guardian. I’ll propose a working definition for the genre, and discuss music video's technological and socio-economic influences. I’ll highlight some of the genre’s specificities, as well as show how audiovisual relations have changed, and the ways analysis might attend to technology, platform, and musical style.
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