ON MEMORY AND RESISTANCE: MOTHERHOOD, COMMUNITY AND DISPOSSESSION IN ZORA MORENO'S COQUÍ CORIHUNDO VIRA EL MUNDO (1981).
This paper examines Zora Moreno's play Coquí corihundo vira el mundo (1981) as an alternative to the identitarian investment in the patriarchal myth of the gran familia puertorriqueña. I argue that by offering a feminist rewriting of Adolfina Villanueva through the protagonist Anastasia, Moreno comb...
| Published in: | Wagadu: A Journal of Transnational Women's & Gender Studies Vol. 18; pp. 149 - 175 |
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| Format: | Article |
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Research Foundation of SUNY on behalf of SUNY Cortland
Winter2017
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=129435499&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 129435499 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 21502226 86YU jtl: Wagadu: A Journal of Transnational Women's & Gender Studies issn: 21502226 maglogo: N pubinfo: dt: Winter2017 vid: 18 pid: 49325 pub: Research Foundation of SUNY on behalf of SUNY Cortland artinfo: ui: 129435499 ppf: 149 ppct: 26 formats: fmt: @attributes: type: P size: 841KB tig: atl: ON MEMORY AND RESISTANCE: MOTHERHOOD, COMMUNITY AND DISPOSSESSION IN ZORA MORENO'S COQUÍ CORIHUNDO VIRA EL MUNDO (1981). aug: au: Menzies, Stephanie Gomez affil: University of California, San Diego su: Race discrimination Black women sug: subj: Race discrimination Black women ab: This paper examines Zora Moreno's play Coquí corihundo vira el mundo (1981) as an alternative to the identitarian investment in the patriarchal myth of the gran familia puertorriqueña. I argue that by offering a feminist rewriting of Adolfina Villanueva through the protagonist Anastasia, Moreno combats the privileging of Puerto Rican identity as a light-skinned, male figure. Moreno critiques these colonial vestiges of racial discrimination through her interrogation of the spatial politics of home. Coquí corihundo vira el mundo problematizes the construction of a Puerto Rican identity that would erase Afro-Puerto Rican identity and thereby replicate a racialized hierarchy. Thus, in the act of remembering Adolfina/Anastasia, Moreno uses memory as an act of resistance that demonstrates the contemporary effects of myths of identity on the local community. Furthermore, the lasting performance of Adolfina/Anastasia as traumatic social memory redefines the centrality of Black women's experience to the marginalization of the Afro-Puerto Rican community at large. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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