The Camera Phone in the Concert Space: Live Music and Moving Images on the Screen.
In this article, I argue that screen relations have profoundly redirected affective and aesthetic strategies of live music experience to culminate in a complex relationship with camera phone technology that is characterised by feelings of possessiveness, a sense of control over narrativising one's e...
| Published in: | Music, Sound & the Moving Image Vol. 12; no. 1; pp. 33 - 53 |
|---|---|
| Main Author: | |
| Format: | Article |
| Published: |
Liverpool University Press / Journals
Spring2018
|
| Subjects: | |
| Online Access: | View this record in EBSCOhost |