The Camera Phone in the Concert Space: Live Music and Moving Images on the Screen.
In this article, I argue that screen relations have profoundly redirected affective and aesthetic strategies of live music experience to culminate in a complex relationship with camera phone technology that is characterised by feelings of possessiveness, a sense of control over narrativising one's e...
| Publicado en: | Music, Sound & the Moving Image Vol. 12; no. 1; pp. 33 - 53 |
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| Formato: | Artículo |
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Liverpool University Press / Journals
Spring2018
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| Acceso en línea: | Ver este registro en EBSCOhost |