Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic.
The article highlights contribution of various photographers for several books including Sebastião Salgado's for Workers: An Archaeology of the Industrial Age, Chris Killip for In Flagrante, and LaToya Ruby Frazier for The Notion of Family.It mentions social or political difference between the photo...
| Publicado en: | Radical History Review Vol. 18; no. 132; pp. 23 - 46 |
|---|---|
| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Duke University Press
10/1/2018
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=132731972&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 132731972 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01636545 2AT jtl: Radical History Review issn: 01636545 maglogo: N pubinfo: dt: 10/1/2018 vid: 18 iid: 132 pid: 154 pub: Duke University Press artinfo: ui: 132731972 10.1215/01636545-6942379 ppf: 23 ppct: 23 formats: fmt: @attributes: type: P size: 2.1MB tig: atl: Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic. aug: au: Michaels, Walter Benn Zamora, Daniel affil: English professor at the University of Illinois at Chicago Postdoctoral sociologist at the University of Cambridge and the Université Libre de Bruxelles su: Photography & history Photographer associations Salgado, Sebastião, 1944-2025 Killip, Chris, 1946-2020 Frazier, LaToya Ruby, 1982- Workers: An Archaeology of the Industrial Age (Book) sug: subj: Photography & history Photographer associations Salgado, Sebastião, 1944-2025 Killip, Chris, 1946-2020 Frazier, LaToya Ruby, 1982- Workers: An Archaeology of the Industrial Age (Book) ab: The article highlights contribution of various photographers for several books including Sebastião Salgado's for Workers: An Archaeology of the Industrial Age, Chris Killip for In Flagrante, and LaToya Ruby Frazier for The Notion of Family.It mentions social or political difference between the photographer and description of Chris Killip's phtotgraphs that includes Woman in Bus Shelter and Women in Bus Stop, Len Tabner Painting, and Glue Sniffers. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Radical History Review is the property of Duke University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Radical History Review holder: Duke University Press dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
|---|