Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic.
The article highlights contribution of various photographers for several books including Sebastião Salgado's for Workers: An Archaeology of the Industrial Age, Chris Killip for In Flagrante, and LaToya Ruby Frazier for The Notion of Family.It mentions social or political difference between the photo...
| Publicado en: | Radical History Review Vol. 18; no. 132; pp. 23 - 46 |
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| Autores principales: | , |
| Formato: | Artículo |
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Duke University Press
10/1/2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article highlights contribution of various photographers for several books including Sebastião Salgado's for Workers: An Archaeology of the Industrial Age, Chris Killip for In Flagrante, and LaToya Ruby Frazier for The Notion of Family.It mentions social or political difference between the photographer and description of Chris Killip's phtotgraphs that includes Woman in Bus Shelter and Women in Bus Stop, Len Tabner Painting, and Glue Sniffers. |
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